Yesterday, the Times of India’s supplements were splattered with stories about ‘best places to eat’ awards being given out to restaurants and hotels in Bombay. While the riche, chic and high flying elite was going ga-ga about the events, it came across as arid, superficial and lifeless as it could get.

But Bombay never fails to disappoint you; even when you feel having reached a dead end, there is likely to be a surprise waiting for you in some unlikely place.

Late one morning, when I peeped out of my office window, I saw a man cooking meals for himself and his colleagues on the roof of a truck and when the meal was ready, his other colleagues climbed up on the truck and sat down to eat together.







Hope may not spur from the lofty and flashy multitudes of the city’s who’s who, where everything is decorated to shine so much that it blinds the onlooker, but little joys of life sure reside in humble hoi polloi, the unknown and ignored corners of this world. Care to join in?

So this week, I went to see Antigone, a play written by Sophocles originally, adapted by Jean Anouilh, and further adapted by Satyadev Dubey. Nasiruddeen Shah played Creon and Ratna Pathak Shah played Antigone.

Strong cast, good adaptation, well-played characters. I was warned by people that I may either doze off during the play, or if I stay awake, I will notice that Ratna Pathak Shah cannot pull off a 16-year old’s role. But I think, it was because we know for a fact that she is nowhere close to 16. However, the real Antigone at the age of 16 must have been much more mature compared to any other girl of her age back then.

Nasiruddeen Shah was at his best, playing Creon, the frustrated king who was caught unaware and had to wear the crown of thorns only to face rebellion.

The dialogues were all in English, Indian English to be specific. I feel the play would have been better, more intense had it been in Hindi — but that may as well be coming from their Bollywood past that I have seen all their performances in Hindi only, as far as I remember.

Overall, an experience of a kind, to see the stalwarts attempting to shape perfection so closely. Worth a dekko.

And here’s some more of Bumbay, for you before I sign off!

Big balloons, saar, for 5 rupees each…
Elephantitanic!
No chariots allowed. You may get fined 15 naya paisa…
On the edge

And if you’re bored of local trains, you may want to buy a car from Car Point, the showroom is located right next to a scrap metal and paper mart in Mahim.

Car Point offers spot deals!

A colleague ordered lunch from Dominos this afternoon.

A few minutes later, she called Dominos up, and asked, “Have the pizzas already left?”

I love weekends! This one brought Hamlet to me. Saturday, at Prithvi, the Rajat Kapoor-directed adaptation of the Shakespearean play – its advert reads, ‘a play in English and Gibberish’.

And so it was. English and Gibberish. “We use Gibberish because you all don’t understand the thee, thou, thy of Shakespeare, you see.” Plenty of madness to keep you laughing for a couple of weeks after you’ve seen the play.

Do you know why Hamlet and Ophelia couldn’t work out together? Because Ophelia was ‘manglik‘. That is, mesdames et monsieurs, their horoscopes didn’t match, since Ophelia had a strong mars sitting in her birth charts! Damn!

Hamlet was just amazing. He asked us all why we kept laughing, when his father was just about dead, his uncle became the king and his mother married the uncle, King Claudius. “May be you laugh because it don’t happen with you no, mister…? Imaginez!” Anyway, no more spoilers. The point is, its amazing how a serious plot like Hamlet is transformed into a light hearted, yet touching piece of work.

The use of Gibberish, with bits of Italian, French, Spanish and perhaps some other languages thrown in, reminded me of Tim Supple’s Midsummer Night’s Dream. However, this one is absolutely comprehensible, since the melange of languages is not too much to digest.

Another weekend, I had been out clicking pictures all over South Bombay — Fort, Colaba, Nariman Point, Dhobi Talao, VT, etc. Throw in a beer at Leopold’s, and you’ve already found perfection! Here you go…

Old glory of Dhobi Talao

Care for a ‘cool’ haircut?

The Taj
So we rose up to the skies…

The good old Victoria

Gateway of India
Lunch break

oye kabootar, chips khayega?

Taj again!

I wish I were a sailor…

Shantaram’s Cafe Mondegar!

Flora Fountain.
Little flora, no fountain, ample parking.

The picture-post-cardish view from Flora Fountain

Sunset at Marine Drive!

goodnight, Bumbay!

The municipal fortress

Bumbaiyya Hamlet-house, the Victoria Terminus building

… and its different faces

This city never sleeps, really.



“All this, and much more, I can truly deliver!”

The deeper meaning of liff…

Life brings you to strange crossroads at times, when someone else makes the choices of directions for you. Not that it happens quite often with everyone, but when it does, it alters your perception of the meaning of life. A couple of weeks ago, Someone stepped away. For ever. Perhaps that was the way things were meant to turn, and this too, was to be part of my identity.

The events that followed set me on a renewed quest, for I had almost lost touch of a few things I had been planning to do for long. So, the first thing I did was go about the city and click a lot of pictures – something I had always talked about, but never really got around to accomplish! I walked past Kala Ghoda, Lion Gate, Hornimon Circle, and the Stock Exchange, clicking places that have always fascinated me, those that were described in Shantaram and Maximum City. They remind me of the Gujarati novel Saraswatichandra as well…

Looks like I managed to capture a number of hues and shades of this city, which, as I’ve always said, has taught me “The Art of Letting Go”. Here are few of the pictures, and a few more of these, coming soon.



Next, I caught a movie for the first time on the day it released! Saw Rock On, I must admit, a bit reluctantly. Not bad an experience, though it brought back quite a few memories from long forgotten years.

On to the movie, now: Farhan Akhtar and his team had put in a lot of effort to pull it off with style, and introduce the theme of rock to the Indian audience. Still, the flick missed the fine point of balance between being serious and being light. The humour is absolutely lame. The only genuine attempt at humour during the entire movie was at the end of the film, when they put up a message “Do not download the music, buy the CD.”

Overall, the flick sounded like a potential sequel to Dil Chahta Hai, but it killed the fun, since the theme was shamelessly copied from Jhankaar Beats, from which, as NB said, it is difficult to find any flaw.

Nevertheless, all this ranting (both, about life, people and the film) is like “chaar aane ki murghi, barah aane ka masala” since it serves nothing when you ask ‘why’! The message: it’s never too late, life’s still beautiful and yada yada yada. Go, catch up.

Maqtoob!

To have a haircut or not to have one has always been a question of perennial confusion for me. So much that at times, I have ended up nurturing pony tails hanging behind my head. It is a similar situation when I’m about to shave, but it becomes a compulsion every week, lest I start looking like a walking tree. The point is, today, I faced the same old question: to have a haircut or not. To end my quandary, I gave in to the thought of getting the dreadful task out of my way today itself, and turned up at the neighborhood barbershop.


Now, this is not at all a fancy place. Someone is simply going to turn away glancing at it and calling it ‘pedestrian’. Run by a Mithun Chakravarty inspired North Indian chap, who charges INR 20 (or half a dollar for the un-Indian) for a haircut and throws in a solid head-turning massage for free at the end – the barbershop’s precisely that: a barbershop, dirt cheap, down-to-earth, value-for-money, etc.


When I turned up, there was a queue for occupying one of the three hot seats. On asking him how long it will take for my turn to come up, he flashed a bright smile and said it won’t take any time at all, and engaged himself in shaving the present occupant of the hot seat number one. After waiting for about ten minutes (I think it was longer, but I’ll find happiness in counting ten minutes), it was my turn at hot seat number three.


I explained the chap, who was about to do the honours, with what kind of haircut I needed. Right then, another barber turns up and claimed his right to work at the hot seat number three, and in effect my hairy top-floor. I explained the new barber again, what kind of a haircut I needed. Scarcely before he finished listening to me, he zoomed off with his work, making me nod 90 degree downward for about 45 minutes.


In the meantime, he also plugged in a music CD into his loud music system, which blared out Altaf Raja’s qawwali: “Tum toh thehre pardesi, saath kya nibhaoge…” I’m sure it is because of the colonial mindsets of the Grammy award organizers that this superhit album never attained the glory it deserved. Perhaps they can think of some lifetime achievement award for Altaf Raja…


Back to project haircut. I wondered whether the barber was trying to depict some bottom-up and back-to-front growth of baldness on my head by progressing at length in the said directions. After about an hour’s dance-with-my-hair, the barber claimed the completion of his feat and started with the head-turning-twisting massage with a victorious stance. Thankfully, when I looked up in the mirror, I wasn’t looking too different from what I was supposed to look like.


Oh, believe me, it happened with me at an expensive Chinese barbershop in KL, Malaysia, when I’d reluctantly gone for a haircut. The Chinese like to have their haircuts to be oblique – i.e., they do not hold the pairs of scissors straight while chopping off the growth. So, when I went for this haircut, I asked the barber to hold the scissors straight, after showing him some pictures of Indian-styled haircuts on my cellphone (I had downloaded some pictures of the haircut that I wanted).


The barber looked at the strange creature in the hot seat, gave me a furious look and pulled out a huge Chinese haircut catalogue from his drawer. He dictated me through the catalogue and made me choose the weirdest hairstyle on the planet, and chopped my hair accordingly.


When I stepped back into my world, I was asked: “Did you attempt a haircut all by yourself?”


I dread to think what would’ve been better.

Hong Kong is quite a tiny, friendly city-nation with honest taxi drivers (for a change), and a vibrant melange of both, western and oriental cultures. Getting around is easy, shopping is fun and the nightlife nonstop! For the rest, I’d let the few pictures do the speaking…
The view from my room…

My office building – Central Plaza, Wan Chai, the one with golden panels

The Pacific Princess
A princess I’d love to have in my life beside the Indian one…

Off the harbour, across the city…

The old and the new parts of the city are divided by the sea, and one has to either take a rail, underwater bridge or a ferry ride across the sea. I’d vouch for the ferry ride.

Shoppers’ paradise

The endless streets are buzzing with activity round the clock, and people spilling out from all directions. Its easy to turn invisible, unnoticed in Hong Kong


The shops around the street are fun to walk around, bargain and buy good stuff for cheap. The chinese shopkeeper women curse you in a manner you cannot decipher, at first instance, but the moment you start walking away, they call you back to buy things at the price you suggest! The transaction ends with a polite give-and-take of ‘thank you, come again!’…

Set sail, get going!

Just to put things in perspective…
The tallest building of Hong Kong, and the one next to it….

I’ll be back!

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